Kamler’s animated cinema suggests a singular variety of science fiction. Completely unalike to more conventionally linear and text-based narratives, Kamler’s films instead explore a series of dynamic visual motifs. Typically, the conclusion of these films is less suggestive of resolution, than it is of recurring episode.
Violet & Daisy, directed by Geoffrey Fletcher. One of my favorite lighting scenes: when Violet & Daisy open up their Celebrity Weekly magazine and it lights up.
The last scene in Farewell My Concubine directed by Kaige Chen 陳凱歌.
Making Up a Work with Ones Body - Material is Mind (Gutai Outdoor Exhibition 1956)